It is said you can't really know where you're going until you know where you have been. In less than a hundred years we have gone from a planet of abundant resources to an age of having to conserve and protect what is left.
As we celebrate agriculturalists this month, we are made aware of the central role of agriculture in many aspects and sectors of our lives.
The workers, producers and stewards are also the current custodians of not just agriculture but also the environment and our biodiversity. Along with the ecosystem and sustainability, all are closely linked and entwined.
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| #BAO at the Negros Museum entrance |
We are proudly #BAO: the unbowed carabao - beloved by Filipinos as faithful partners in life. The carabao or kalabaw is a water buffalo endemic in Southeast Asia. Aside from helping our farmers plow the fields, this majestic creature is our source of transportation, milk for sweets and meat for meals.
Its every part honored and valued - from head to tail and down to its hooves. Horns, bones, hide and hooves are all raw materials for tools, fashion and home accessories. Its symbol is imprinted in our national bills, coins, stamps and monuments. Proudly paraded in our mascots, body armor, children’s songs, jokes, and vernacular jargon.
Let us examine how the carabao has shaped Philippine national consciousness even only as our unofficial symbol. We offer you a way of rethinking how national animals are made visible within narratives of our nation.
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#BAO, trusty companion & provider |
Art and imagery that depict Filipino traditional agricultural and rural life in our islands often portray the carabao or water buffalo. Whether working or at rest, we are treated to this animal in various aspects - usually out in the fields that they till.
Despite the carabao’s centrality to Philippine agricultural history, cultural production, and everyday life - data and reports have mostly approached the animal as labor, property, or economic resource. Rather than as a national symbol with deeper purpose and meaning.
Literature and art help paint a fuller picture of the creature’s position in Philippine culture and history. Complicated as that is, its relationship with the Filipino folk can be even more so.
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| Working in the Field by Fernando Amorsolo, 1965 |
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| Untitled (Carabaos), Vicente Manasala, 1966 |
During the Spanish colonial period, native labor and fieldwork produced plantations of rice, sugar, and other cash crops and commodities that were exported throughout the 19th century. Under the guardianship of the Catholic Church and Spain's royals, they formed a powerful bloc to monopolize local labor and production in the region.
This imposed stability and continuity of Spanish authority in the Philippines for more than 350 years. The Spanish curia and gentry brought us many useful arts and crafts - masonry, architecture, weaving, coffee, sugar, and the Christian religion.
Much of what was forced upon the country then are still in practice even to this day - for better or otherwise, it had several benefits too.
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| a family returning with carabao & cart - Gerow D. Brill, 1900-1902 |
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| sugarcane fields – Kabankalan, Negros Island Region |
As a people, Carabao English is now part of our expanded vocabulary - used every day as different forms of pidgin is in other parts of the colonized world. In true Filipino form, local humor has created many hilarious and convoluted puns, twisting word usage in unique and inspired ways.












